Rally to save the CBC Orchestra

HUGE RALLY TO SAVE CBC RADIO ORCHESTRA
SUNDAY APRIL 20 AT 2 P.M. AT THE CHAN CENTRE AT UBC

Wednesday April 16, 2008 … Standing on guard for the CBC Radio Orchestra, April 20 at 2:00 pm CBC Radio Two listeners are following up on last week’s successful staging of a coast to coast National Day Of Action to demand CBC brass back down on their apparent systematic destruction of the Radio 2 network and their decision to replace it with programming completely foreign to its core audiences. The rally Sunday is a call to the CBC Board and Management to restore the CBC Radio Orchestra within a revitalized CBC Radio Two.

The rally on Sunday starting at 2:00 pm is an hour before the orchestra’s regularly scheduled, and nearly sold-out, performance at 3:00 pm.

The natural amphitheatre at the Chan entrance is a dramatic location, which will accommodate an impressive number of supporters, while allowing the 1,200 concert-goers easy access.

“It’s not the usual sort of prelude to an afternoon of live music at the Chan” said Canadian Music Centre head Colin Miles. “This situation has become a flashpoint for the general downgrading of CBC by the people who have been entrusted with our precious public broadcasting system."

“We are seeing the end of a cultural treasure that serves Canadians coast to coast and is an essential player in our musical exports to the world. Elimination of the CBC Orchestra is the destruction of our ability to tell our stories. It amounts to censorship and stifling of free expression of our composers" he stated.

“At 2 cents per year per person, how can CBC management, the board and Parliament agree to this? The issue has now been raised on the floor of the House of Commons and we will be keeping the pressure up.” added Colin Miles.

Three years ago CBC management stopped the CBC Orchestra from working in the studio to record music for broadcast and CDs and told they could only give public performances. Renting concert halls and paying for publicity to promote concerts is expensive. This orchestra has a recording studio that was built for them and well trained creative producer, recording engineer and orchestra librarian on staff. CBC management needs to be reminded what power in creating programming they have by keeping their orchestra. We are calling on CBC to restore the orchestra and get the musicians back into the studio to do what they do best for the benefit of all of Canada. As the CBC Radio Orchestra's own webpage states "With an audience as diverse as the Canadian experience, we create engaging musical radio programs, commission and perform new works as well as established classics, and showcase exceptional Canadian performers and conductors."

Rally organized by:
Save the CBC Orchestra Committee
Based in Vancouver, Reaching Across the Country

For more information:
Joan Athey 250-294-6040 to April 18; 604-908-9124 April 18, 19 & 20.
Laurie Townsend 604-822-9161
www.StandOnGuardforCBC.ca

CBC changes--Letter from the President of the Canadian League of Composers

published with permission of the author:

Dear members of the Standing Committee on Canadian Heritage,

I am writing to you as President of the Canadian League of Composers, and request that you enforce the Broadcast Act of 1991 with regard to CBC radio.

Recent changes in CBC's broadcasts diminish the long-standing working relationship between Canadian composers of concert music and the CBC, as well as their required commitment as public broadcaster to provide rich, original content that reflects the diversity of Canada.

You may refer to my report on the meeting I had with CBC Senior Management <http://www.stopcbcpop.ca/CBC_New%20Music_Dec05.htm>.

Please note the lack of commitment to the Canadian Music composed by our membership of 400 composers (which, when added with the Canadian Music Centre's Associate Composers equals 1000 artists).

Most importantly, recent changes at CBC Radio Two meant the cancellation of Two New Hours, the only program dedicated to Canadian Art Music. It had a devoted and plentiful following, and its loss is devastating to our field. Moving more closely to the commercial broadcasting category of "Adult Contemporary". the CBC begins to emulate commercial radio, counter to its mandate as a culture-driven--not numbers-driven broadcaster. Radio One's programs Freestyle and The National Playlist are two recent examples of the move to commercialism prior to the recent changes at Radio Two.

Significantly, Canada was instrumental in formulating and signing a recent UNESCO act pledging to support and respect diversity of creation in all its forms. In making the current changes, we feel that the CBC is, by including content available on commercial radio, reducing the diversity of public broadcasting. Canadian poets, scientists, writers, composers, etc. are losing their place on Canadian Public Radio, and we request that the Standing Committee on Canadian Heritage carefully review and enforce the CBC mandated role in our culture.

Unfortunately, as stakeholders in the CBC, we were not informed of this meeting, and are therefore unable to arrange our presence on such short notice, but as president of the organization representing Canadian Composers, I represent to you the collective views and concerns of our membership.

Sincerely,

Dr. Paul Steenhuisen

Tags: CBC, New Music, Public Radio

CBC kills Two New Hours

Two New Hours producer, David Jaeger with Norwegian composer/performance artist Maja Ratjke (left) and Canadian composer Melissa Hui (right) in happier times .

Canadian music has been dealt a serious blow by CBC in their decision to axe the award-winning show Two New Hours, the last broadcast bastion for the live presentation of new Canadian art music. This program was truly world-class, occupying a prestigious place in the international music community and among international classical broadcasters. Knowledgeably moderated by host Larry Lake and produced by Canadian composer, David Jaeger, it was a jewel that has been thoughtlessly cast aside.

Will CBC stop presenting Canadian art music entirely? No, it seems not, but the replacement show, The Signal, in its initial show has broadcast only a small sampling of serious Canadian music from recording. By relying on recordings rather than taping live concerts as Two New Hours did so successfully for 30 years, CBC is presenting the works of composers who have already met with some success, rather than being a launching pad for new voices. It has ceased to be a partner in the creation of a unique Canadian musical voice and canon.

How do we create a Canadian canon of music with so little support from our national public broadcaster? Canadian icons like R. Murray Schafer came to international attention in large part through their concerts being broadcast by CBC and through CBC exchanges with international public broadcasters.

What is happening at CBC? Their corporate communications all cite a need to appeal to a younger demographic and have a larger market share. Surely this is a problem for commercial radio rather than public radio. Is not the mandate of public radio to serve the interests of the development of a national body of art and to serve the interests of minorities within the population--those NOT served by commercial media. Surely there is a plethora of commercial radio stations serving the interests of teens and young professionals with a taste for pop culture. One might say, "serving the lowest common-denominator".

As an arts administrator I have become familiar with the basic criteria of Canadian national and provincial public funders when it comes to grants for Canadian performing arts. If it is populist it is deemed to not require public support, or require less support--the marketplace will fund it. If it has artistic merit but is unlikely to find an immediate audience--so not commercially viable--it is deemed to need support from the public sector. To give just one example: in 2001 I was serving as interim General Director of Opera Ontario when Canada Council of the Arts threatened to cut our funding in large part, because our opera seasons were--at that time--deemed as too "popular" in presenting standard opera repertoire rather than taking risks with new opera and less-performed works. We were encouraged to increase our presentation of Canadian works and Canadian artists to receive public funds. We made adjustments and commitments to new programming and a policy of presentation of Canadian artists to re-coup those funding cuts.

So why is CBC, a publicly-funded radio station being allowed to pursue a course of populist programming, when a regional opera company could not? And indeed once the CBC management has managed to wreck a national treasure--one of the things Americans have envied us for--and deliver radio and television just like their commercial "competition" will politicians not turn around and say, "why are we funding this"? I sure would.

Does the rush to serve the youth market even make sense?

It may have escaped the marketing braintrust at CBC but the older demographic that they have traditionally appealed to is not disappearing, but rather growing, as the baby boom matures--and older citizens will always be with us. The CBC seems to be saying, "if we don't attract young people, our audience members are all going to be dead in 10 years" but this is a very simplistic analysis. Every day people are getting older, so there are new people always entering the mature demographic that has a taste for thoughtful, challenging programming in news, opinion and the arts. And serious music has always appealed to a larger proportion of the older demographic than youth. This has been true for centuries.

The CBC move to axe Two New Hours was made quietly and swiftly before effective opposition could be mounted. Now that the changes at CBC Radio Two are in place, there is opportunity for the mature, sophisticated music community to speak out if their interests are no longer being served by their public broadcaster. We need to reclaim our public broadcaster. In the meantime, oddly enough, in the Toronto market, the classical music community is being best served by WNED FM from Buffalo, NY.

Radio culture used to flow the other way across the border.

Want to speak out?

Lobby your MP to keep CBC Radio Two free of commercial pop music

Find your MP here

Contact Mark Steinmetz head of CBC Two programming

Contact members of Heritage Canada committee responsible for commenting and recommendations on the role of CBC as a public broadcaster in preserving Canadian culture

Read another more informed and involved voice on the demise of Two New Hours.

(I will add more links to this post as I find them)

Tags: CBC, New Music, Public Radio